Program - Paper Abstracts Print. Performing Brecht in Bangladesh: Making the Unfamiliar Familiar Peter Brook in his book The Empty Space wrote, “Brecht is the key figure of our time, and all theatre work today at some point starts or returns to his statements and achievement” (72). Indeed, Brecht is the strongest, most influential and the most radical theatre man of the era and there is.
In this essay, I want to reevaluate the notion of the individual in Brecht’s Fatzer-Fragments as a political category. I suggest that Brecht’s text performs individual resistance to subsumption under collective identities, while at the same time subverting notions of bourgeois individualism. I will show this first on the level of the ideological dynamics of the fragment, and in a second.You can write a book review and share your experiences. Other readers will always be interested in your opinion of the books you've read. Whether you've loved the book or not, if you give your honest and detailed thoughts then people will find new books that are right for them.Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get them in front of Issuu’s.
This essay is telling thus two stories: one about changing notions of abortion in medical as well as political terms, and another about the transfer of knowledge and ideas across the boundary separating two distinctively different economic and political systems. While military and economic cooperation across this border in the interwar period are well explored, aspects like medical history.