Musorgsky: Eight Essays and an Epilogue by Richard Taruskin.

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Mussorgsky was born in Karevo, Toropets Uyezd, Pskov Governorate, Russian Empire, 400 km (250 mi) south of Saint Petersburg.His wealthy and land-owning family, the noble family of Mussorgsky, is reputedly descended from the first Ruthenian ruler, Rurik, through the sovereign princes of Smolensk.At age six, Mussorgsky began receiving piano lessons from his mother, herself a trained pianist.

Mussorgsky: eight essays and an epilogue. Princeton, N.J.: Princeton University Press, 1993. Music in the Western World: a history in documents, compiled and edited by Piero Weiss and Richard Taruskin. New York: Schirmer Books; London: Collier Macmillan, 1984. Opera and drama in Russia as preached and practiced in the 1860's.

Mussorgsky also played me the songs which had failed with Balakirev and Cui. Among these were Kalistrat and the beautiful fantasy Night, on a text by Pushkin. The song Kalistrat was a forerunner of the realistic vein which Mussorgsky later made his own; the song Night was representative of that ideal side of his talent which he himself trampled into the mire, though still drawing on its.

Why does this matter? What does the key tell us about the drama or about Mussorgsky's structural planning? In his introduction, Brown mentions Richard Taruskin's Musorgsky: Eight Essays and an Epilogue, which I reviewed recently, and notes that he has disagreements. Apparently these arguments mean more to specialists than they do to me, since I.

The latter interest produced a plethora of writings on Mussorgsky, resulting in the anthology of articles, Musorgsky: Eight Essays and an Epilogue (1993). In his typical style, Taruskin challenges and destroys the accepted picture of the composer’s life, works, and the historical context in which he worked.

Incorporating both new and now-classic essays, this book for the first time sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context. From this perspective Richard Taruskin revises fundamentally the composer's historical and artistic image, in particular debunking the century-old dogmas of Vladimir Stasov, Musorgsky's first biographer.

Mussorgsky began writing songs and piano works. In 1867, he produced several orchestra pieces including the original version of his now-famous St. John's Night on Bare Mountain which today is.